| Modern Movement houses in Cambridge John Preston discusses some conservation issues. |
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Protection - but only at the second attempt Cambridge has some good Modern Movement houses of the 1930s, notably a group in Conduit Head Road which includes three 'white' houses (white House of 1930, and Willow House originally Thurso - of 1932, both by George Checkley, and Hugh Hughes's Salix of 1934), and M J Blanco White S weatherboarded Shawms (1938). Willow House and Shawms are both listed grade II*, the others are grade 11. Other listed Modern Movement houses in~ clude D Cosens' 9 Wilberforce Road of 1937, and Marshall. Sisson's 31 Madingley Road of 1932 and 26 Millington Road of 1934 (all grade 11). These houses have all been listed since 1992. In 1976, the Council had prepared a list of 45 "architecturally important unlisted buildings" (both turn of the century and interwar) which was submitted to the DoE for spot-listing; the Doll rejected the submission on the grounds that the Statutory List for Cambridge had been produced only recently "and was complete". |
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White House, Cambridge,
by George Checkley |
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| The 'white houses' of Conduit Head Road - a case study The Conduit Head Road buildings were set in a rural landscape, with a 'wilderness' to the west of the three white houses in large gardens. This setting, and in particular that of the Checkley houses, has been threatened by a series of development proposals. Conduit Head Road was designated a conserva~ tion area in 1984. The site history and outcomes (including a series of appeal decisions) reflect changing attitudes to Modern Movement buildings, and the sometimes tenuous threads by which they (and their settings) may survive, as well as some important current issues. White House saved, but its setting lost |
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The Conduit Head Road area of Cambridge
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| Changing attitudes-and decisions The setting of Checkley's other house, Willow House, had been threatened in 1981, by outline applications for two houses in the garden to the west, and a single house on the tennis court to the south east. The Council granted permission for the houses to the west; this permission was renewed in 1984 and 1987. The application for the house to the east was refused, but allowed on appeal And renewed in 1985 and 1988. The designation of the conservation area did not affect the planning decisions until the next renewal applications. The application for the houses to the west was refused, on the grounds of impact on the conservation area and the 'wilderness' site of nature conservation interest in the western part of the garden. In preparing its case for the subsequent appeal, the Council reconsidered the status of Willow House in the light of the recently-introduced '30 year rule', and served a Building Preservation Notice in 1992. The appeal inspector took strong account of the character of the building and its protected status (although only temporary and subject to confirmation) under the BPN; when he visited the site he asked why the nearby Salix and White House were not also listed. The appeal (Q0505/A/91/ 184260) was dismissed, as was the appellants' claim for costs. Not long afterwards, Willow House was listed W, because of the quality of its interior, and Salix and White House were listed grade II. Setting saved "...Willow House, which is listed grade II", was designed to have a spacious setting to set off its uncompromising modern design. Its principal rooms and windows face south .... but it seems to me that the continuum of garden space belonging to it needs to include the unobstructed extension to the west as part of its setting. As it is, the setting will be compromised to some extent by the erection of the approved house to the cast, but this makes the western area of the garden even more important to the setting of Willow House .... The erection of the proposed single storey house would, in my view, seriously impair the setting of Willow House. Although the present scheme is reduced in number from the previous proposal which was dismissed on appeal 1 it would still by implication, if not by any boundary marking, occupy the garden space forming part of the appeal site, and would effectively undermine the relationship of Willow House to the wilderness; the listed house would thus be cramped in its setting.." Problems with an outline approval |
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Willow House and gardens
from the west |
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| 'Keeping in keeping' with the Modern Movement? The detailed scheme had been prepared on behalf of the vendor of the plot. The purchaser prepared sketches of her own, then engaged her own architect. This gave a new opportunity to try to get a building of genuine quality and presence to meet the chal- lenges of the site and its context. With our encouragement, Ralph Carpenter of Modece Architects produced a design of great simplicity and clarity, with a prin- cipal living volume, and lower bedroom (projecting forward down the garden) and garage wings alongside to the west. The main feature of the building was a spectacular and carefully considered picture window facing south. The client wanted a house of 1930s Modem Movement character; some consultees argued in favour of a truly contemporary approach, but this site was so small and so close to Willow House that any contrast of architectural idiom would have made the new building even more intrusive. 1 felt that that the approved scheme was as good as we could have hoped to achieve, given that the site was too small for any truly satisfactory development. Much to my regret, the client and her architect parted company, and 1 found myself dealing with a designer/builder producing a series of amended plans. instead of the detailed development of a strong design concept, we were faced with a progressive dilution of key elements - for example the subdivisions of the picture window (the boldest feature of the design). Perhaps most damaging to the clarity and quality of the building was the client's decision to change her bedroom layout. This led to the bedroom wing wrapping round the front of the living area which upset the approved scheme's clear expression of separate volumes, and 'framing' of the picture window by white wall. With the architect no longer on the scene to argue for his concept (or adapt it to meet the new requirements without losing quality), there was little hope of persuading the client to keep strictly to the approved design, or find ways of adapting it within the key parameters of the original design approach. We requested a new application, but saw no realistic way of resisting what could be considered as apparently minor changes (imagine fighting the appeal!). The cumulative effect was a significant loss of quality on a site where it is vital. |
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New house De Stijl as built
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| This case has obvious wider parallels for anyone dealing with a proposal in which a specific architect and/or the quality of a specific design is advanced as a prime reason for approving a contentious scheme, and in which achieving the required outcome depends on carrying through and developing the approved design approach in the details and construction.
One mitigating factor was the agreement by the vendor and the purchaser not to provide any physical separation between the properties. The Willow House garden flows round, with only low planting dividing the private areas; the resulting flow of space makes a great difference on a very cramped site, and helps to maintain a sense of the original curtilage with the new building appearing as ancillary within it. However the owner of De StijI died recently, and a new occupant may want to define the curtilage more positively so eroding another of the special measures taken to try to assimilate the new building. Salix- refurbishment and alteration Willow House -repairs and other issues |
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| John Preston. Conservation and Design Officer, Cambridge City Council; IHBC Education Officer, This article updates part of my paper to the IAAS York 1993 Conference on Conservation and Repair of C20 Buildings - see published proceedings. |
Context 65 March 2000
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